Handful Grimke – Plain and Fancy

“Heidi, would you mind stopping by 329 East Bay Street before we leave town?”

We were on our way out of Charleston during our recent road trip, and my niece Heidi graciously agreed to stop her SUV long enough for me to catch a snapshot of the Grimké House basking in the bright morning sun. Its open arms-double staircase once welcomed visitors with a hospitable hug. (Until recently it housed attorneys’ offices, so you can draw your own conclusion about its more recent history!)

This house was made famous by Sue Monk Kidd’s book of historical fiction The Invention of Wings. Here is an excerpt from my review:

“ . . . the novelist creates parallel stories representing two strata of early nineteenth-century America, alternating chapters with the voices of two engaging characters: the aristocratic Sarah Grimké and the hand-maid (creative name for slave) assigned to her, Hetty Handful Grimké. Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday, when she is given ownership of ten-year-old Handful. Over the next thirty-five years, both strive for a life of their own ‘bucking the constraints of cultural attitudes toward women and slavery, which Sarah and her sister openly challenged.'”

All the purple passages quotes today are pulled from the pages of The Invention of Wings, Sue Monk Kidd’s historical fiction about the Grimké family:

The Weather

“I slipped through the back door into the soft gloom, into the terror and thrill of defiance. The sky had gone cobalt. Wind was coursing in hard from the harbor.” (50)

(We experienced a Charleston, SC storm downtown as we entered this city May 7, 2015)

Mosquitoes

Mother Mary had ordered “the mosquito netting out of storage and affixed above the beds in anticipation of the blood-sucking season, but having no such protection, the slaves were already scratching and clawing their skin. They rubbed themselves with lard and molasses to draw out the itch and trailed its eau de cologne through the house.” (56)

(Disparity between the races no longer noticeable in Charleston today, at least to tourists. )

Wall-hanging on sale in Charleston on Market Street

Despair

“My breath clutched at my ribs like grabbing hands. I closed my eyes, tired of the sorry world.” (280)

Missing Someone

Sarah’s unrequited love: “Nina was speaking now, her face turned up to Theodore’s, and I thought suddenly, involuntarily of Israel and a tiny grief came over me. Every time it happened, it was like coming upon an empty room I didn’t know was there, and stepping in, I would be pierced by it, by the ghost of the one who once filled it up. I didn’t stumble into this place much anymore, but when I did, it hollowed out little pieces of my chest.” (281)

Yearning for a better world

[Lucretia] “leaned toward me. ‘Life is arranged against us, Sarah. And it’s brutally worse for Handful and her mother and sister. We’re all yearning for a wedge of sky, aren’t we? I suspect God plants these yearnings in us so we’ll at least try and change the course of things. We must try, that’s all.’” (275)

The Pineapple: the universal symbol of hospitality seen everywhere in Charleston's interiors and exteriors — The Pineapple: the international symbol of hospitality seen frequently in Charleston’s interiors and exteriors. Daughter Crista purchased a pair of these.

We must try, that’s all!

Share your words: your thought, a quote or story adds to the conversation. It’s always nice to meet you here!

Coming next: Jenna’s Rainbow Cake: A Pot of Gold?

Sue Monk Kidd, best known for her debut novel, The Secret Life of Bees, has published her third novel, the acclaimed The Invention of Wings (2014).

My Review

A full-page spread advertising Sue Monk Kidd’s latest work of historical fiction recently appeared in the New Yorker, which tells readers something about the stature of this work. Set in Charleston, SC, the novelist creates parallel stories representing two strata of early nineteenth-century America, alternating chapters with the voices of two engaging characters: the aristocratic Sarah Grimke and the hand-maid (creative name for slave) assigned to her, Hetty Handful Grimke. Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday, when she is given ownership of ten-year-old Handful. Over the next thirty-five years, both strive for a life of their own “forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love” as one reviewer characterizes it. Woven into the fabric of this novel is the alliance of the Grimke sisters, Sarah and Angelina, who advocate for the equality of slaves and the rights of women.

While the unfolding plot intertwines other historical figures, both factual and imagined, Kidd held my attention with her metaphors and other descriptions. I was particularly intrigued with the exquisite quilts Handful’s cunning mother Charlotte fabricated, often using the image of blackbird wings as a triangular motif in the design. In the acknowledgements section, the author mentions too her reference to the American black folktale, from which she drew inspiration about “people in Africa being able to fly and then losing their wings when captured into slavery.”

The two main characters in this book effectively invent their own wings, Sarah by tirelessly advocating for human rights and Handful by staging her own escape to freedom. Her often repeated refrain:

If you don’t know where you came from, you have to know where you’re going.

That's one determined woman — Sarah Grimke, one determined woman

Quilts

Have a look at some of handmaid Hetty’s exquisite quilts on this website. Possibly the best seamstress in Charleston, the quilting of Hetty and her mother Charlotte offered her freedom spiritually as she recorded her family’s history, and freedom physically too by enabling her to fashion a disguise that may have enabled her to escape.

Q & A with the Author

Sue Monk Kidd has created an intriguing story from mountains of research including historical dates and events, articles, letters, all inspired by viewing Judy Chicago’s The Dinner Party referred to in my last post.

See the intriguing Q & A with Sue Monk Kidd, who observed separate water fountains, black women sitting in the backseats of white women’s limousines, and the story of Rosa Parks in her own youth.

How could the author visualize Hetty so vividly?

How is Hetty or Sarah like Lily in The Secret Life of Bees?

How could Sue recreate the dialect of 19th-century Charleston on paper?

Your turn!

Sue Monk Kidd was published first in Guideposts and Readers’ Digest. Do you remember her writing from back then?

Can you relate to any of the characters in Sue Monk Kidd’s writings?

Tag: Handful Grimke

Purple Passages: Secrets of Grimke House, Charleston

Sue, Sarah, and Handful: Reviewing The Invention of Wings

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